Guiding Questions: How does one dancer hold the stage? What is the relationship between the presence, virtousity, intent of the dancer and the craft of the choreography?
“…soloists affect the public’s confidence in the freedom of bodies that are alone.”
– Claudia Gitelman, On Stage Alone
RESOURCES: A place to start
Research: Following is a list of solo dances. Peruse as you will. Some are full length dances, some are just excerpts, some are compilations. You are also welcome to add your own favorite solo dances to this list.
After perusing, select 3-5 from this list or from your own list that you will focus on.
- (14 dances) Playlist Jacob’s Pillow Dance Interactive Solo Women (in White)
- (16 dances) Playlist Jacob’s Pillow Dance Interactive Male Solos
- Alvin Ailey: Awassa Astrige / Ostrich by Asadata Dafora
- The Dying Swan, drag ballet, Les Ballet Trockadero de Monte Carlo
- “Ten Solo Dancers in India who rock the stage”
Reflect on the Guiding Questions.
How does one dancer hold the stage?
What is the relationship between the presence, virtuosity, intent of the dancer and the craft of the choreography?
What elements of solo choreography are also relevant in group choreography?
Does solo choreography have any unique craft demands?
Be prepared for a discussion in our Research Circle on April 6.
STATEMENT: For each Research Circle Project you are expected to investigate the topic and bring your discoveries, questions, insights and theories to the circle for energetic discussion. You honor the circle by your preparedness. Your additional research should include at least 2 citations, 2 quotes and a POV about solo dance.